![]() They align with the physical model of "left=lower" and "right=higher" and are located at the bottom so they can be manipulated with the left hand while the right hand is entering notes. It offers a virtually endless number of possibilities when it comes to creating and synthesizing sound. First, because the amount of features and tools this software offers is in a class of its own. And chances are 99 will say Spectrasonics Omnisphere. My instinct is that the left and right arrow keys would be best to use to shift octaves. Ask 100 music producers what virtual instrument synthesizers they love most. If you were entering a line in the key of G it would likely work well but if you were entering a line in the key of C you might be doing a lot of octave shifts to get the notes to the left of the lower C. The mapping results in a very small keyboard which offers only an octave and a half. How easy is it to use? Depends, I think, on the specific line of music you want to enter. The big problem is that the number of keys available on a horizontal row is limited. So for people who don't have a mental model of the piano keyboard, this mapping may be less intuitive. Of course you don't look at the letters on the alpha key board - they do not map to the musical notes in any way. If you have some experience on the piano, this mapping will make sense. But sometimes you need to do it and as both a pianist and UX designer, I find this mapping OK. Playing piano on a computer keyboard is not great. I open VMPK, save default XML, edit it as shown, and open. To get to a black key you reach up to the row above so that C# is mapped to the "W" key, and so on. Maps both the '<' key and the 'Q' key to the same MIDI note 36. The "A" on the keyboard is set to correspond to the note "C" each key to the right corresponds to the next white note on the piano. This mapping mirrors (more or less) the white and black keys on the piano. ![]() The key mappings shown by user "ekapros" is intuitive. ![]()
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